Latest in Production Value

“Cinema was always a passion for me,” says composer Alexandre Desplat. “I was very lucky to have a friend who had directed a short movie and he asked me if I could write the score… and it became my demo tape and opened to me many, many doors.” Having worked with director Guillermo del Toro before on many…

Film editor Paul Rogers began to edit films as a fun way to get out of doing schoolwork. Instead of doing a final project, Rogers and his friend would shoot a movie, which opened up a whole new career path for him. "I loved it and I had never felt that engaged and excited about anything creatively," he…

“I loved filmmaking and I loved doing really hyper-realistic illustrations from a really young age,” says production designer Ethan Tobman. “I was enthralled by painting and sculpture, equally to film, and I never considered that the two could intersect as a profession.” Mark Mylod’s The Menu takes…

“When I first interviewed with Steven [Spielberg] for the job of editor on Close Encounters of the Third Kind, we found out we were both scouts, eagle scouts, and here we are 45 years later, making a film about a boy scout who loves the movies,” says editor Michael Kahn. The Fabelmans takes a…

“When you want to portray inside someone’s mind when they’re struggling, its quite hard,” says production designer Mark Tildesley. “It was very helpful to have Sam [Mendes] around to help that come to fruition.” Directed by Sam Mendes, Empire of Light takes place at a cinema on the South Coast of…

For Amsterdam, director David O. Russell needed a hair and makeup team ready to take on the challenge of shooting during Covid. When she was initially busy with another project, Lori McCoy-Bell, a longtime collaborator with Russell, called in Adruitha Lee to help out with the hair. As Covid hit and she…

“Rian [Johnson] and I met when we were 18, 19 years old,” says cinematographer Steve Yedlin. “We started making films then, and we’ve been doing it together ever since, informing each other's style and methodology.” Rian Johnson’s Glass Onion: A Knives Out Story marks the return of Daniel Craig as…

“My journey is very serendipitous,” says costume designer Marci Rodgers. “I came out of the fitting room, thinking out loud and I said, ‘You know, I’m gonna design a movie on Emmett Till…’ and six years later Chinonye approached me and asked me to look at the script.” Chinoye Chukwu brings together…

Angela Barson didn’t plan on becoming a visual effects supervisor when she first started. After getting a job at a software development company that worked with the film industry, she decided to work on the vendor side with the software she helped create. “I got a job working for the BBC as a flame…

“Once I got into the business, I realized how much I loved telling stories through the art of costume design,” says The Woman King costume designer Gersha Phillips. “It was really interesting how much you can tell about a character and how important the costume design is for the production and for the…

“My agent was sending me some scripts… right after the pandemic,” says film editor Chi-Yoon Chung. “I was a big fan of Danny [Strong] because of Recount and Game Change, and so when I read that first script I immediately knew I wanted to be a part of the project. Also, its about the opioid crisis, and within my family…

“I’ve danced since I was 7 or 8, and then I started performing as a dancer around 15 or 16,” says choreographer Christopher Gattelli. “That was when I started working with choreographers that really turned my head around in terms of what you can do with choreography – how you can tell a story and make people laugh or…